G & E Atlanta's head of the electrical department, the gaffer is in charge of designing and executing the lighting for any production. The job is to light the entire set to the liking of the director of photography and also to help make excellent decisions in helping tell the story by using lighting and natural elements.
A gaffer should have an understanding of the language of moviemaking and focus on details. He must be a problem-solver and also have the ability to communicate well, not only with the director and cinematographer, but also when disseminating information to his crew. A gaffer should have a well-rounded knowledge of the filmmaking process. To light a scene appropriately, he should understand photography and movie processing.
The majority of gaffers begin as grips work into the task of key grip or best boy grip, after that into electrical best boy, or straight into the job of gaffer. You take any job you could get on a motion picture project. Work day in and day out and discover exactly what intrigues you the most. You find out everybody's work. Every single day you help to make a film, you meet forty or fifty new individuals. All those individuals are gonna be looking for work tomorrow on the film. All of a sudden you're networking, making a way into the working community of filmmakers. You help them tell their story and they're going to remember the way you helped them out. It is going to help you move up the ladder faster. Movie is a collaborative art form and you must know every detail.
If a person specifically wants to be a gaffer, he or she must initially get in the field and work as an electrician and do a little rigging. You have to understand the concept of power and lighting. Locate someone who is willing to teach you. There are a lot of older gaffers who're willing to go for coffee and sit down and speak about their career, what fascinated them in lighting, and points to keep in mind. Lots of cameramen wouldn't mind doing that as well. Socialize with individuals at lighting rental houses and study the equipment. There's always brand new equipment being released so make an effort to stay on the top of the line. Watch lots of movies and observe the lighting utilized. There will be a period when someone is going to refer to a classic movie in terms of the look they like.
G & E Atlanta's rigging gaffer executes the gaffer's vision. He will usually go on the preliminary scouting and figure out what the needs are, then plan appropriately. He usually has a truck, a best boy, as well as crew of people who leapfrog with the shooting crew from location to location. It makes sense financially because the shooting crew can come in, all the power is laid out, and the broad shots are in place. Then the gaffer as well as cinematographer can come in, finesse the lighting, and be prepared to shoot in much quicker time. The lighting takes more than probably any other part of the lighting process, therefore it is vital that you have a lot of it laid ahead of time.
A gaffer should have an understanding of the language of moviemaking and focus on details. He must be a problem-solver and also have the ability to communicate well, not only with the director and cinematographer, but also when disseminating information to his crew. A gaffer should have a well-rounded knowledge of the filmmaking process. To light a scene appropriately, he should understand photography and movie processing.
The majority of gaffers begin as grips work into the task of key grip or best boy grip, after that into electrical best boy, or straight into the job of gaffer. You take any job you could get on a motion picture project. Work day in and day out and discover exactly what intrigues you the most. You find out everybody's work. Every single day you help to make a film, you meet forty or fifty new individuals. All those individuals are gonna be looking for work tomorrow on the film. All of a sudden you're networking, making a way into the working community of filmmakers. You help them tell their story and they're going to remember the way you helped them out. It is going to help you move up the ladder faster. Movie is a collaborative art form and you must know every detail.
If a person specifically wants to be a gaffer, he or she must initially get in the field and work as an electrician and do a little rigging. You have to understand the concept of power and lighting. Locate someone who is willing to teach you. There are a lot of older gaffers who're willing to go for coffee and sit down and speak about their career, what fascinated them in lighting, and points to keep in mind. Lots of cameramen wouldn't mind doing that as well. Socialize with individuals at lighting rental houses and study the equipment. There's always brand new equipment being released so make an effort to stay on the top of the line. Watch lots of movies and observe the lighting utilized. There will be a period when someone is going to refer to a classic movie in terms of the look they like.
G & E Atlanta's rigging gaffer executes the gaffer's vision. He will usually go on the preliminary scouting and figure out what the needs are, then plan appropriately. He usually has a truck, a best boy, as well as crew of people who leapfrog with the shooting crew from location to location. It makes sense financially because the shooting crew can come in, all the power is laid out, and the broad shots are in place. Then the gaffer as well as cinematographer can come in, finesse the lighting, and be prepared to shoot in much quicker time. The lighting takes more than probably any other part of the lighting process, therefore it is vital that you have a lot of it laid ahead of time.
About the Author:
Although not as glamorous as numerous other movie work, an Atlanta grip and electric works behind the scenes on productions moving equipment, securing and removing cameras, sets and scenery. A g & e Atlanta also ensures that all the necessary equipment work correctly in order to get the best shots and give the movie the ambiance the director demands.
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