Hip hop artist Jamaican born DJ Clive "Kool Herc" Campbell is credited as being highly powerful in the pioneering phase of hip hop music in the Bronx, after moving to New York at the age of thirteen. Herc created the blueprint for gangster rap music and culture by building upon the Jamaican tradition of toasting impromptu, boastful poetry and speech over music which he observed as a youth in Jamaica. Herc and other DJs would tap into the power lines to connect their equipment and perform at locations such as public basketball courts and at 1520 Sedgwick Avenue, Bronx, New York, a historic building where rap was given birth to. Their equipment was composed of numerous speakers, turntables, and one or more microphones. By using this approach DJs could create a variety of music. DJ Kool Herc is credited as being highly influential in the pioneering stage of hip hop music.
Herc have also been the developer of break-beat deejaying, where the breaks of funk tracks the part most suited to dance, usually percussion-based were isolated and repeated for the purpose of all-night dance parties. This form of music playback, using hard funk, rock, and records with Latin percussion, created the basis of hip hop music. Campbell's announcements and exhortations to dancers would lead to the syncopated, rhymed spoken accompaniment now known as rapping. He dubbed his dancers break-boys and break-girls, or simply b-boys and b-girls. According to Herc, "breaking" was also street slang for "getting excited" and "acting energetically". Herc's terms b-boy, b-girl and breaking became part of the lexicon of gangster rap culture, before that culture itself had developed a name.
Later DJs such as Grand Wizard Theodore, Grandmaster Flash and Jazzy Jay processed and developed the usage of breakbeats, including cutting and scratching. The approach used by Herc was soon widely replicated, and by the late 1970s DJs were releasing 12" records where they would rap to the beat. Popular songs included Kurtis Blow's "The Breaks" and The Sugarhill Gang's "Rapper's Delight".
Emceeing is the rhythmic spoken delivery of rhymes and wordplay, delivered over a beat or without accompaniment. Rapping is derived from the griots (folk poets) of West Africa, and Jamaican-style toasting. Rap developed both inside and outside of hip hops lifestyle, and began with the street parties thrown in the Bronx neighbourhood of New York in the 1970s by Kool Herc and others. It originated as MCs would talk over the music to promote their DJ, promote other dance parties, take light-hearted jabs at other lyricists, or speak about problems in their places and issues facing the community as a whole. Melle Mel, a rapper/lyricist with The Furious Five, is often attributed with being the first rap lyricist to call himself an "MC".
Rap as a culture was further defined in 1982, when hip hop artist Afrika Bambaataa and the Soulsonic Force introduced the seminal electro-funk track "Planet Rock". Instead of simply rapping over disco beats, Bambaataa created an electronic sound, taking advantage of the rapidly improving drum machine Roland TB-303 synthesizer technology, as well as sampling from Kraftwerk.
Herc have also been the developer of break-beat deejaying, where the breaks of funk tracks the part most suited to dance, usually percussion-based were isolated and repeated for the purpose of all-night dance parties. This form of music playback, using hard funk, rock, and records with Latin percussion, created the basis of hip hop music. Campbell's announcements and exhortations to dancers would lead to the syncopated, rhymed spoken accompaniment now known as rapping. He dubbed his dancers break-boys and break-girls, or simply b-boys and b-girls. According to Herc, "breaking" was also street slang for "getting excited" and "acting energetically". Herc's terms b-boy, b-girl and breaking became part of the lexicon of gangster rap culture, before that culture itself had developed a name.
Later DJs such as Grand Wizard Theodore, Grandmaster Flash and Jazzy Jay processed and developed the usage of breakbeats, including cutting and scratching. The approach used by Herc was soon widely replicated, and by the late 1970s DJs were releasing 12" records where they would rap to the beat. Popular songs included Kurtis Blow's "The Breaks" and The Sugarhill Gang's "Rapper's Delight".
Emceeing is the rhythmic spoken delivery of rhymes and wordplay, delivered over a beat or without accompaniment. Rapping is derived from the griots (folk poets) of West Africa, and Jamaican-style toasting. Rap developed both inside and outside of hip hops lifestyle, and began with the street parties thrown in the Bronx neighbourhood of New York in the 1970s by Kool Herc and others. It originated as MCs would talk over the music to promote their DJ, promote other dance parties, take light-hearted jabs at other lyricists, or speak about problems in their places and issues facing the community as a whole. Melle Mel, a rapper/lyricist with The Furious Five, is often attributed with being the first rap lyricist to call himself an "MC".
Rap as a culture was further defined in 1982, when hip hop artist Afrika Bambaataa and the Soulsonic Force introduced the seminal electro-funk track "Planet Rock". Instead of simply rapping over disco beats, Bambaataa created an electronic sound, taking advantage of the rapidly improving drum machine Roland TB-303 synthesizer technology, as well as sampling from Kraftwerk.
About the Author:
Hip hop music was first mastered in the 70's. In order to become a renowned Hip Hop Artist one ought to sing out well, develop the right attitude, and more importantly know how to dance. Being a New Hip Hop Artist is just not a fairly easy career. It certainly takes a lot of work, confidence, and persistence.
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