Hip hop artist Tony Tone, a part of the pioneering rap group the Cold Crush Brothers, noted that gangster rap saved a lot of lives. Hip hop culture became a way of coping with the hardships of life as unprivileged within America, and an outlet to cope with violence and gang culture. MC Kid Lucky mentions that people used to break-dance against each other rather than fighting. Inspired by DJ Kool Herc, Afrika Bambaataa developed a street organization called Universal Zulu Nation, focused around gangster rap, as a way to draw young adults out of gang life and violence.
The musical content of numerous early rap teams focused on social concerns, particularly in the seminal track "The Message", which discussed the facts of life in the housing projects. Young black Americans coming out of the civil rights movement used hip hop culture in the 1980s and 1990s to show the limitations of the movement. Hip hop gave young African Americans a voice to let their problems be heard. Like rock-and-roll, hip hop is intensely opposed by conservatives since it romanticises violence, law-breaking, and gangs. It also gave young blacks a chance for financial gain by reducing the rest of the world to consumers of its social issues.
The 1980s also saw many musicians make social claims through hiphop. In 1982, Melle Mel and Duke Bootee recorded "The Message" officially attributed to Grandmaster Flash and The Furious Five, a song that foreshadowed the socially conscious statements of Run-DMC's "It's like That" and Public Enemy's "Black Steel in the Hour of Chaos".
During the 1980's, hip hop also appreciated the development of rhythm by using the body, via the vocal percussion technique of beatboxing. Pioneers such as Doug E. Fresh, Biz Markie and Buffy from the Fat Boys made beats, rhythm, and musical sounds using their mouth, lips, tongue, voice, and other body parts. "Human Beatbox" performers would also sing or imitate turntablism scratching or other instrument sounds.
With the commercial success of gangsta rap in the early 1990s, however, hip hop artist focus moved from social issues to drugs, violence, and misogyny. Early proponents of gangsta rap included groups and artists such as Ice-T, who documented what some have to say is the first gangsta rap record, 6 in the Mornin', and N.W.A. whose second album Efil4zaggin became the first gangsta rap album to enter the charts at number one. Gangsta rap also played an important part in hiphop becoming a mainstream commodity. The fact that albums such as N.W.A.'s Straight Outta Compton, Eazy-E's Eazy-Duz-It, and Ice Cube's America's Most Wanted were promoting in such high numbers meant that black teens were no longer hip hop's sole buying audience. As a result, gangsta rap became a system for hip hop vocalists who chose to use their music to spread politic and social messages to places that were formerly unaware of what went on in the ghettos of place like Los Angeles and New York. While gangster rap music right now attracts a broader market, media critics debate that socially and politically conscious hip hop has been largely disregarded by mainstream America.
The musical content of numerous early rap teams focused on social concerns, particularly in the seminal track "The Message", which discussed the facts of life in the housing projects. Young black Americans coming out of the civil rights movement used hip hop culture in the 1980s and 1990s to show the limitations of the movement. Hip hop gave young African Americans a voice to let their problems be heard. Like rock-and-roll, hip hop is intensely opposed by conservatives since it romanticises violence, law-breaking, and gangs. It also gave young blacks a chance for financial gain by reducing the rest of the world to consumers of its social issues.
The 1980s also saw many musicians make social claims through hiphop. In 1982, Melle Mel and Duke Bootee recorded "The Message" officially attributed to Grandmaster Flash and The Furious Five, a song that foreshadowed the socially conscious statements of Run-DMC's "It's like That" and Public Enemy's "Black Steel in the Hour of Chaos".
During the 1980's, hip hop also appreciated the development of rhythm by using the body, via the vocal percussion technique of beatboxing. Pioneers such as Doug E. Fresh, Biz Markie and Buffy from the Fat Boys made beats, rhythm, and musical sounds using their mouth, lips, tongue, voice, and other body parts. "Human Beatbox" performers would also sing or imitate turntablism scratching or other instrument sounds.
With the commercial success of gangsta rap in the early 1990s, however, hip hop artist focus moved from social issues to drugs, violence, and misogyny. Early proponents of gangsta rap included groups and artists such as Ice-T, who documented what some have to say is the first gangsta rap record, 6 in the Mornin', and N.W.A. whose second album Efil4zaggin became the first gangsta rap album to enter the charts at number one. Gangsta rap also played an important part in hiphop becoming a mainstream commodity. The fact that albums such as N.W.A.'s Straight Outta Compton, Eazy-E's Eazy-Duz-It, and Ice Cube's America's Most Wanted were promoting in such high numbers meant that black teens were no longer hip hop's sole buying audience. As a result, gangsta rap became a system for hip hop vocalists who chose to use their music to spread politic and social messages to places that were formerly unaware of what went on in the ghettos of place like Los Angeles and New York. While gangster rap music right now attracts a broader market, media critics debate that socially and politically conscious hip hop has been largely disregarded by mainstream America.
About the Author:
Hip hop music was initially recognized in the seventies. In order to become a well-known Hip Hop Artist one needs to perform well, possess the right attitude, and even more importantly know how to dance. Becoming a New Hip Hop Artist will not be an easy job. It surely needs a great deal of effort, motivation, and perseverance.
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